pursuing a Distance Master of Architecture degree at Boston Architectural College
Wednesday, January 31, 2007
Studio: Precedents Part 2
Per Chris's comments: PLYarch
These speak more to my concept but are giving me some smaller-scale ideas. The first three, and even the last one to an extent, can begin to inform my roof areas.
The last image is a great detail as to how you may approach building the "ribbon". The model shown has a rigid frame to which sculpted ribs and eventually the skin is attached. Perhaps this was done simply to hold the mock up panel in place, but I could see the rigid frame becoming less rigid in a similar manner as the columns of your models and images - metal studs @ 16" o.c. VS. columns placed in an ambiguous pattern. Another thing to think about is window - does the skin become translucent and transparent in certain areas to allow the filtering of light to the lower levels? When it does, how are the sculpted ribs perceived? Especially in relation to their connection to the ambiguous column. How are the ribs and skin supported when the surfaces switch from being an interior surface to an exterior surface.
2 comments:
The last image is a great detail as to how you may approach building the "ribbon". The model shown has a rigid frame to which sculpted ribs and eventually the skin is attached. Perhaps this was done simply to hold the mock up panel in place, but I could see the rigid frame becoming less rigid in a similar manner as the columns of your models and images - metal studs @ 16" o.c. VS. columns placed in an ambiguous pattern. Another thing to think about is window - does the skin become translucent and transparent in certain areas to allow the filtering of light to the lower levels? When it does, how are the sculpted ribs perceived? Especially in relation to their connection to the ambiguous column. How are the ribs and skin supported when the surfaces switch from being an interior surface to an exterior surface.
I like it... keep going.
~R
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